Curatorial Narrative Ernst Wrtenberger’s “Thomas, Franzsepp and Monika at the Kasperle Theater (Punch and Judy Show)” of 1920 occupies a pivotal position within the development of German Expressionism. The artist’s technique is characterized by thick impasto strokes that imbue the composition with a textured, almost three-dimensional quality, drawing the viewer into the dramatic scenario unfolding before them. As Wrtenberger masterfully navigates the boundaries between realism and impressionism, the dark greens and muted browns of the palette create an atmosphere of impending tension, while the soft whites and subtle reds introduce moments of quiet intimacy amidst the chaotic performance.When enlarged to a substantial scale, such as 44×44 inches, the chromatic structure of Wrtenberger’s work begins to exert a profound influence on its surroundings. The dark greens assume an almost physical presence, dominating the spatial rhythm whi