Curatorial Narrative Feliks Jabczyski’s “Stained glass. Church interior” (1913) occupies a unique position within the Gothic Revival style, marked by a deliberate fusion of traditional and modernist elements. The artist’s soft brushwork imbues the stained glass with an almost ethereal quality, as if the very fabric of the church interior has been distilled into a luminous, crystalline essence. This atmospheric intent is underscored by the palette, which ranges from deep, burnished reds to muted greens and yellows, creating a rich chromatic structure that seems to resonate with the very heartbeat of the Gothic tradition.At 44×59 inches, “Stained glass. Church interior” becomes a behemoth of spatial rhythm, its compositional structure unfolding like a majestic Gothic arch. The palette, once soft-focused, now reveals its full weight and presence, casting an atmospheric shadow that seems to stretch and contract with the surrounding spac