Curatorial Narrative In 1932, Filippo Tommaso Marinetti’s “Parole in liberta; futuriste olfattive tattili-termiche Pl. 9” occupies a pivotal position within the trajectory of early modernism, wedging itself between the Art Deco opulence and the forthcoming avant-garde experimentations that would characterize the subsequent decades.As an artwork, “Parole in liberta; futuriste olfattive tattili-termiche Pl. 9” exemplifies Marinetti’s innovative approach to visual communication, eschewing traditional figural representation for abstract forms that evoke a dynamic, almost kinetic presence. The artist’s deployment of red and black against the subtle warmth of beige and olive green underscores his fascination with the interplay between color and space, yielding an atmospheric weight that reverberates through the composition.When enlarged to 44×46 inches, “Parole in liberta; futuriste olfattive tattili-termiche Pl. 9” assumes a commanding p